1300 187 187
Much has shifted since the emergence of the first volume of Cinephilia in the Age of Digital Reproduction. Many of the postmillennial innovations in digital cinema and digital culture which prompted its publication have today become commonplace to the point of invisibility. This development ironically evokes memories of the classic Hollywood continuity system, a structure designed to close off space for the discussion of politics, identity or history. Thus, the original contributions in this new volume seek to illuminate those larger historical and global contexts which the emergence of digital cinema highlights in the process of its erasure. Chapters cover everything from digital spectacles of the US Civil Rights movement to the cinephiliac politics of Wong Kar-Wai, from the transnational cinephilia of Bernardo Bertolucci and Adrian Lyne to the cultural politics of race and media transition in Michel Gondry's Be Kind Rewind. Also included are sustained discussions of what the digital age will mean in the long term for the critical and academic study of film. Contributors include Chris Cagle, David Church, Susan Felleman, Kristi McKim, Adrian Martin, James Morrison, Ted Pigeon, Catherine Russell, Greg Singh and Steve Spence.
| Notes on Contributors | p. viii |
| Acknowledgements | p. xi |
| Introduction: Remapping Cinephilia | p. 1 |
| Histories Of Cinephilia | |
| After The Revolution: On The Fate Of Cinephila | p. 11 |
| The Virutual Spaces Of Civil Rights | p. 28 |
| Stag Films, Vintage Porn, and the Marketing of Cinecrophilia | p. 48 |
| Bekind...Rewind/Or, The A-Zs of an American Off-Modern Cinephiloa | p. 71 |
| International Cinephilias | |
| In The Mood For Cinema: Wong Kar-Wai and the Diasporic Phantasmagor | p. 111 |
| A Home ForCinephilia in Bernardo Bertolucci's the Dreamers | p. 132 |
| A Little Infidelity: La Femme Infidèle Becomes Unfaithful | p. 143 |
| Transmedia Cinephilias | |
| Revisioning Critical Space in the Digital Age: Cinephilia, Blogging, and Criticism | p. 163 |
| Acadmic Blogging and Disciplinary Practice: Implications For Film and Media Studies | p. 178 |
| The Kitsch Affect; Or, Simulation, Nostalgia and the Authenticity of the Contemporary CGI Film | p. 192 |
| Turn The Page: From Mise-En-Scéne to Dispositif | p. 215 |
| Selected Bibliography | p. 239 |
| Index | p. 247 |
| Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9780231162173
ISBN-10: 0231162170
Audience:
Tertiary; University or College
For Ages: 22+ years old
Format:
Paperback
Language:
English
Number Of Pages: 256
Published: 29th May 2012
Dimensions (cm): 23.1 x 15.6
x 1.665
Weight (kg): 0.438
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