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More than once since then I've wondered whether the life-threatening high jinks that Loonie and I and Sando and Eva got up to in the years of my adolescence were anything more than a rebellion against the monotony of drawing breath.
Breath is a story about the wildness of youth - the lust for excitement and terror, the determination to be extraordinary, the wounds that heal and those that don't - and about learning to live with its passing.
In his first novel for seven years, Tim Winton has achieved a new level of mastery. Breath confirms him as one of the world's finest storytellers, a writer of novels that are at the same time simple and profound, relentlessly gripping and deeply moving.
When paramedic Bruce Pike arrives too late to save a boy found hanged in his bedroom he senses immediately that this lonely death is an accident. Pike knows the difference between suicide and misadventure. He understands only too well the forces that can propel a kid toward oblivion. Not just because he's an ambulanceman but because of the life he's lived, the boy he once was, addicted to extremes, flirting with death, pushing every boundary in the struggle to be extraordinary, barely knowing where or how to stop. So begins a story about the damage you do to yourself when you're young and think you're immortal.