A comprehensive and definitive history of Australian Art
‘Grishin presents a story that is multilayered in its complexity and detail… [His book] at once broadens the scope of our national art and draws together these diverse strands into a compelling narrative. Above all it is a lively and insightful account of the diversity and richness of artistic endeavour of this country.' — Tony Ellwood, Director, National Gallery of Victoria
Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art.
Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world.
A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.
About the Author
Professor Sasha Grishin AM, FAHA is a professor of Art History at the Australian National University in Canberra. He studied art history at the universities of Melbourne, Moscow, London and Oxford and has served several terms as visiting scholar at Harvard University. He works internationally as an art historian, art critic and curator. In 2004 he was elected Fellow of the Australian Academy of the Humanities, in 2005 he was awarded the Order of Australia (AM) for services to Australian art and art history and in 2008 was awarded a citation for outstanding contribution to student learning.
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I was just loving this book, all the little arty bits and pieces, and echoes of things I thought I liked and didn't quite know about, when my wife took it away and hid it in the hall cupboard. She explained that if any of our friends came around and saw such a big book on Australian art, they would know that I was becoming self-important, unnecessarily trying to find my feminine side and likely mentally deteriorating. I get it out sometimes, after she has gone to bed, and that gives it a special excitement. Try it. It's good.
This is a clear, interesting and well-illustrated reference. The format is good and the illustrations well reproduced. I bought it specifically to learn more about the development of post-contact understanding of Aboriginal art.
A wonderful book that few will have the time to sit down and read from cover to cover -- although it would be a terrific experience! Trouble is, when you do dip into it, it can be difficult not to keep going! Beautiful colour plates of infrequently published art.
Grishin presents a story that is multilayered in its complexity and detail . . . [his book] at once broadens the scope of our national art and draws together these diverse strands into a compelling narrative. Above all it is a lively and insightful account of the diversity and richness of artistic endeavor of this country. Tony Ellwood, director, National Gallery of Victoria"
Series: Miegunyah Volumes. Series 2
Number Of Pages: 584
Published: 3rd March 2014
Publisher: Melbourne University Press
Country of Publication: AU
Dimensions (cm): 30.2 x 25.3 x 4.3
Weight (kg): 3.24
Edition Number: 1